AMT Dipole
AMT Dipole
A different path: instead of consistently avoiding room reflections, open baffles use the room musically and integrate it deliberately. This is exactly where the Mundorf dipole AMTs offer the ideal solution in the treble range. In their impulse behavior they resemble a mid-woofer operated in an open baffle – an advantage when treble and midrange are meant to work with a shared dipole character.
The room as part of the sound
Unlike loudspeaker enclosures closed at the rear, whose fascination lies in the precise reproduction of the original stage, the open baffle follows a different approach: the loudspeaker is integrated into the room more like a natural instrument. The reproduction unfolds with a pronounced sense of space – spacious, airy and, at its best, in a way that lets the music fill the room as a matter of course.
Two dipole lines – optimized for different mounting concepts
Our models developed as dipole AMTs have been optimized in two lines – depending on whether the dipole is mounted free-standing or integrated into a baffle open at the rear.
Dipole variants for free-standing mounting
These versions are optimized for free-standing mounting.
- AMT17D1.1
- AMT25D1.1
- AMT27D1.1
Dipole variants for mounting in baffles open at the rear
These include:
- AMT23D6.1-C
- AMT23D6.1-R
- AMT25D6.1-R
AMT17D as a super tweeter for upgrading existing designs – easy to combine
Beyond its use as a stand-alone treble system, the dipole AMT17D has also proven itself outstandingly as a supplementary super tweeter. In the AMT17D.SH version it can easily be combined acoustically and mechanically with almost any loudspeaker and placed free-standing on top of the cabinet. This allows an existing loudspeaker to be elegantly extended in the treble range without altering its basic concept.
Conclusion
The Mundorf dipole AMTs are a special delicacy for open-baffle and dipole concepts. Whether mounted free-standing or integrated into baffles open at the rear: they enable treble reproduction that blends seamlessly into the open-baffle concept.